"With Papagena (Stephanie Mann) in their stuttering duet, the couple brought the house down with personality enhanced by clever choreography." -- Barry Oliver, Asheville Citizen-Times
"Particular bravos go to Stephanie Mann's nimble execution of the Fairy Godmother's showy music..." -- The Brockton Enterprise
"Stephanie Mann brings to the role of Maria a beautiful soprano voice and a wide range of emotions..." -- Wakefield Daily Item
"Stephanie Mann sang like an angel..." -- The New England Gilbert and Sullivan Society
"[Stephanie Mann as] Lady Manley-Prowe is the perfect grande dame" -- Walpole Times
"Mann's strong vocal performances 'Till Then', 'Yours, Yours, Yours' and 'Compliments' effectively express the love and devotion between John and Abigail, which serves to further enhance our estimation of them both." -- The Patriot Ledger
"Pretty brunette Stephanie Mann does a marvelous job as Abigail Adams, his muse for his conscience during the troubled times of the revolution. Their duets of "Till Then", "Yours, Yours, Yours" and Compliments" are poignant, leaving you in tears as well as displaying Bob and Stephanie's fabulous voices. They have a lot of chemistry together." -- Theatre Mirror
"Stephanie Mann shines as Mrs. Banks. She displays a powerful voice in 'Being Mrs. Banks'...and in 'Anything Can Happen'..." -- Theatre Mirror
"[Stephanie] Mann has a stunning voice and turns in one of the best performances of the night as [Donna] Anna." -- Worcester Telegram & Gazette
"I found myself moved by...the romantic duets between Flavia (Stephanie Mann, a formidable presence) and her lieutenant husband..." -- New England Theatre Geek
"Stephanie Mann's Flavia was very much a great dramatic centerpiece..." -- Schmopera.com
"Agis’s aunt Hesione, played by Stephanie Mann, sings commandingly of the return of reason to Sparta. Her resonant voice is particularly outstanding in “Serenity,” a plaintive ballad of love." -- HollistonReporter.com
"Beautiful brunette, Stephanie Mann plays the Russian soprano, Tatiana Racon...Stephanie [is] sultry in this role of the vamp..." -- Tony Annicone, 'Tony's Corner'
"Stephanie Mann, entering the second act, brought energy to her role and elevated the production to another level. Her ability to match the performance with sustained authenticity, energy, and a well-rounded portrayal was also noteworthy especially entering the production in the second act." -- DASH Review
"Mann's strong vocal performances 'Till Then', 'Yours, Yours, Yours' and 'Compliments' effectively express the love and devotion between John and Abigail, which serves to further enhance our estimation of them both." -- The Patriot Ledger
"Pretty brunette Stephanie Mann does a marvelous job as Abigail Adams, his muse for his conscience during the troubled times of the revolution. Their duets of "Till Then", "Yours, Yours, Yours" and Compliments" are poignant, leaving you in tears as well as displaying Bob and Stephanie's fabulous voices. They have a lot of chemistry together." -- Theatre Mirror
"Stephanie Mann shines as Mrs. Banks. She displays a powerful voice in 'Being Mrs. Banks'...and in 'Anything Can Happen'..." -- Theatre Mirror
"[Stephanie] Mann has a stunning voice and turns in one of the best performances of the night as [Donna] Anna." -- Worcester Telegram & Gazette
"I found myself moved by...the romantic duets between Flavia (Stephanie Mann, a formidable presence) and her lieutenant husband..." -- New England Theatre Geek
"Stephanie Mann's Flavia was very much a great dramatic centerpiece..." -- Schmopera.com
"Agis’s aunt Hesione, played by Stephanie Mann, sings commandingly of the return of reason to Sparta. Her resonant voice is particularly outstanding in “Serenity,” a plaintive ballad of love." -- HollistonReporter.com
"Beautiful brunette, Stephanie Mann plays the Russian soprano, Tatiana Racon...Stephanie [is] sultry in this role of the vamp..." -- Tony Annicone, 'Tony's Corner'
"Stephanie Mann, entering the second act, brought energy to her role and elevated the production to another level. Her ability to match the performance with sustained authenticity, energy, and a well-rounded portrayal was also noteworthy especially entering the production in the second act." -- DASH Review
